In recent months, I've been focusing predominantly on various photography projects. I've been really looking forward to getting back into some collage, so I decided to start a new abstract series. Lately, I've found myself really drawn to the potential of working in this way. Using my original photography as source material, I'm combining colour, texture and type to create layered compositions. Below are some work in progress shots.
I've been out shooting a lot around Melbourne lately. I'm always inspired by the city surrounding me, the people and the urban landscape. As a designer, I also notice good typography and interesting signage. I love the old heritage buildings and ghost signs that are still fairly prevalent in Melbourne today. It's what makes this city so unique and interesting.
Here are a few shots I've taken of signs in various locations around Melbourne.
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I've recently started a new photographic project, 'Street Focus'. I'm documenting people in this series, whether a part of the urban landscape or caught in a candid moment. In our daily lives it's so easy to fixate on what divides us—ethnicity, age, gender and class; instead of what unites us. I'm fascinated with the way we gather and act collectively on the street, on the tram, at work and having fun, it's all superbly similar.
I continually seek evidence that we do absolutely mirror each other despite our vast differences. Every day I am captivated to document the people and the places that surround me on the palpable streets of Melbourne, an incredibly diverse and dynamic place to live.
My passion for street photography started about 5 years ago when I moved to London. I started out shooting on my iPhone for fun and was lucky enough to connect with the mobile photography community early in it’s rise to popularity. I built relationships with some excellent street photographers, such as founders of the Mobile Photo Network, Ollie Lang and Misho Baranovic. It was also around this time that Instagram launched and provided an excellent platform to share my images and learn from others.
There is a rawness and an excitement to shooting on the street that I find addictive. I suppose it’s because you’re concentrating on what’s right in front of you and really 'in the moment'. I photograph urban landscapes too, but I decided to get back out on the streets of the Melbourne CBD and shoot with a focus on the people of the city.
I wanted to get as close as possible to the subjects, which is of course very difficult. It’s quite hard to take a good photo of someone without them noticing. The iPhone provides a discreet and wide angle camera which makes it a good option for street photography.
These were shot on my DSLR at around 50mm, which is closest to what the viewer would see if they were actually there. I'm pretty happy with results and found it quite thrilling getting amongst the action and capturing the people surrounding me. 'Street Focus' will be an ongoing series documenting urban Melbourne. Stay tuned for more images soon and follow the series here on Instagram.
This image is one from my ongoing 'Urban Fragments' series. Capturing the rich urban landscape of Melbourne's streets has become a consistent source of inspiration for my work. I'm drawn to the layers on the street walls, the accidental collage of torn street posters, the texture and the typography all provide so much visual interest that is so often overlooked. I love the contrast of the pink and yellow against the strong black and white type. I hope you enjoy it too...
This shot was captured on Flinders Street, during my daily commute home from work. The street crossing provides a good backdrop to capture the energy of Melbourne's CBD, combining interesting architecture with people in motion. Like this image, I shoot and edit a lot of my street images with my iPhone, because it's the camera that's always with me.
On Friday 10th of June I was selected to take part in the one night only exhibition, 'TREND', presented by RAW Melbourne. RAW is an independent arts organisation for artists and focuses on spotlighting independent talent to the public.
Every second month they hand-select and showcase approximately 40 artists in film, fashion, music, visual art, photography, performing art, hair and makeup. Naturally, I was very excited to be approached to showcase with so many talented artists.
Another awesome thing about RAW is that once you've showcased in your hometown, you can then showcase at any RAW city, anywhere in the world in places like New York City, San Francisco, London... and beyond!
This was quite different to other group shows I've taken part in, as it wasn't you're usual white wall gallery exhibition. It was good experience deciding how to best display and hang the works. I created urban signage and designed some self-promotional postcards to accompany my display so that people could take away a little piece of my work, as seen below.
All works are available as limited edition prints, framed and unframed. Email firstname.lastname@example.org for more information on pricing.
I've been experimenting with some hand-made urban collages. Taking inspiration from Melbourne's vibrant streets, I've been exploring the possibilities of using my photographs as the source material for new mixed media works. By printing them out and cutting them up, I'm able to open up to a new, meditative way of working and the results have been very rewarding.
Here are some works in progress that explore layering, with a focus on type and texture like that of the torn street posters that surround us every day. There is so much visual interest and history to be found in the layers of the street walls.
I have enjoyed exploring decollage techniques with these works too. There's a fine balance between adding elements and taking them away. It also creates unexpected results when peeling back the images in this way, creating some playfulness to the work. The type is illegible and therefore becomes part of the design, rather to be read. I'm excited to explore this direction further and share more experiments with you soon...
I've been trying to challenge myself with my photography lately and experiment with more with shooting film. I seem to be more thoughtful about my composition and lighting, and I can anticipate the 'moment' better which brings a true sense of achievement. Here are a few images I shot around my neighbourhood in Brunswick and Northcote.
I have been experimenting with some hand made diagonal collages. The idea with these is that you pair images that look like they belong together. Some are visually matched with their content, while others are paired in a more conceptual way. I really enjoyed the process of exploring the new meanings that are created when the images are recontextualised.
I've just recently started an online course learning new techniques in mixed media collage. The course is run by Randel Plowman who's known for his amazing blog, 'A Collage a Day'. I'm excited to expand my skills and make more work by hand, a new direction I've been wanting to take in my work.
We started off with some quick 5 minute collages using our preference of source imagery. I used a combination of magazine clippings and some printed textures. It was challenging being restricted with time but I enjoyed the intuitive way of working with these. I'm pleased with the results.
After starting my 'Urban Fragments' photo series, I've been finding inspiration from the streets. I'm particularly drawn to the torn street posters for their texture and typography. I like the idea of taking sections of type and joining them together in a new way. With more of a focus of composition than legibility, I enjoy moving the pieces around with my hands until I find a pleasing result. This one is a work in progress, using pieces of torn street posters. I will now scan this in to refine digitally, ready for prints.
Here are the latest landscapes from my my 'Urban Fragments' series, capturing Melbourne abstract and up-close. I'm engaging with the streets around me with a fresh perspective and framing these small details that draw my eye on a daily basis.
These street walls are in themselves a canvas for texture, typography and photography to be revealed in abstract and interesting ways. It's the smaller details we are surrounded with and the beauty in the ordinary that I'm celebrating with these images. They have a strong focus on composition and typography and by cropping a small section and creating an abstraction, a new narrative can be created. More to come, stay tuned...
Here's new a collage I've just completed. I enjoyed being playful with this one and allowed it to form it's own composition. Like most pieces, I choose one hero image and work from there. I approached this one a little differently in that I used more images and introduced some typography with a simpler background. I hope you enjoy!
I've started a new photographic series documenting Melbourne's urban surrounds. The focus is on the visual fragments surrounding as all on a daily basis, but are often overlooked or ignored. These details attract my eye and I have an irresistible urge to record them.
Melbourne in particular, has a very rich urban landscape of street art, posters, signage and architecture. The torn poster for example, in itself is not all that interesting, but occasionally the elements come together in a way that I find pleasing. This series aims to zoom in on the details and celebrate the ordinary. Here are a few new images shot around Brunswick. Enjoy!
A few more images from an ongoing photographic series I've begun, 'Urban Fragments'. These images aim to abstractly document the ever changing landscape of Melbourne. Peeling back the layers and capturing the beauty in the ordinary that surround us all every day.
Welcome to my new blog! This is my first post and I am very excited to launch an exciting new project. For the past few years I have been fascinated with the urban landscape, and as a result focused much of my photographic work on this theme.
Since moving to Melbourne almost 2 years ago, my eye has become finely tuned on the plethora of stimulating texture, street art and architecture surrounding me. Working between collage and photography, the urban surrounds fuel my creativity within both mediums. The accidental collages of torn posters and the abstract formations of the power lines provide some very inspiring source materials to work with.
These often overlooked and neglected things are a constant inspiration to me and I feel an irresistible urge to record them. As a result, I have decided to begin an ongoing documentary of these abstract designs and fragments that reveal hidden layers, exposed once again to unlock new meanings.... Enjoy!