melbourne artist
Well a new year has begun and I’m back into it with some new collage studies. I’m aiming to create a lot more of these in the coming months. It’s great to experiment with smaller works to explore new ideas. I like to work intuitively with these and not overthink it or become to fixated on a particular outcome.
Stay tuned!
Getting back into some mixed media with this piece. Inpsired by the detritus of our urban walls. I've been drawn to working in a mostly monochromatic colour palette with small bursts of colour and torn pieces of type, similar to that of the torn street posters.
I'm going to leave this one for a few days and come back to it for some final touches.
Mixed media on board.
Just recently, I had the opportunity to collaborate with the talented musician 'Changelings'. We first worked together late last year and he approached me again to produce some new press shots for his upcoming album. We are both really pleased with the results, and Webb Bridge in Docklands proved to be a great location for the shoot.
In 2018, I've set myself a goal to create new collages on a weekly basis. By creating parameters to work within, I can explore new techniques and allow for more experimentation in my work. This process allows for idea generation that can be considered further for a larger body of work. This week I've been working with monochromatic colour.
A monochromatic scheme, or palette, starts with a single hue. Any additional colours used in the palette are variations of that specific hue either its shades, tints or tones. The idea here is that there is only one colour.
You’re welcome to use any shade or tint of the colour/hue to create something invigorating instead of a literally a single colour. Black and white is fine to use in monochromatic colour schemes as they themselves are not colours.
Here are some of my experiments using typography from a magazine and a collection of photography using the colour red. It's a fun way to create compositions while also providing an interesting design aesthetic.
I'm drawn to the surface of the urban landscape and the overlooked beauty of elements that combine to produce a contemporary canvas. These fragments and details attract my eye and I feel the irresistible urge to record them. From drawings on cave walls to graffiti tags in alleyways, humans have marked their environment from the beginning.
Whether a political statement, an artistic expression, or the tag on an individual, the walls of our cities reflect the layered history of it’s people and a moment in time. Through human intervention and degradation, these layers become a collective collage of the citizens, forming a dialogue between city and people.
By use of the photographic lens, I aim to frame this communication, creating juxtapositions to draw comparisons and thereby create narratives based on social and political commentary. I’m equally intrigued by the abstraction on the walls of the city, both reducing it to impressions and revealing the accidental collisions of texture and intention which exist in cities at every scale.
I aim to celebrate the aesthetic of impermanence and imperfection and to reflect on a moment in time in a constantly changing landscape. I aim to challenge the viewer to look at their surrounds in new ways and highlight the beauty in the decay.
“I AM NOT INTERESTED IN SHOOTING THINGS NEW, I AM INTERESTED TO SEE THINGS NEW.”
Recently I was approached to work with an exciting artist on the rise to take some press shots for his upcoming album. CHANGELINGS is the creation of 24 year old musician Jay Penaflor, who began a small acoustic project as 'Jay Penaflor' and recorded a few EPs, before reforming under a new name - CHANGELINGS. It was great to connect with Jay and we're both really pleased with the results. Looking forward to collaborating again in the future. You can listen to his work here.
Recently I have become very drawn to abstraction and the visual explorations within the urban environment.
I have always been drawn to the simplicity of line and form of architecture and the abstraction found in the relationship between buildings and their surrounds. Typography and street art provide interesting marks and graphic elements that can be combined to create interesting results. The layering of street posters peeling reveal an interesting interplay with type, creating new narratives.
This piece was created using found torn street posters. The technique of collage and decollage were employed to created a balance of colour, texture and type. The challenge with a piece like this is for it to look spontaneous with a strong sense of composition, without overworking it. Below are some progress shots, tweaking until it feels 'finished'. This quote sums it up well...
'Art is never finished, only abandoned' - Leonardo Da Vinci
DETAIL - Mixed media collage using torn street posters
More layering - Mixed media collage using torn street posters
Final tweaks - Mixed media collage using torn street posters
This piece explores abstraction through firstly selecting some of my original photos. I don't set out with a plan of the how the work will look, it's more of an intuitive process of selecting images that speak to me at the time. I then proceed to add and subtract elements of the images by tearing of cutting as needed. In this piece I wanted to introduce some interesting layering by including transparency. Once the composition is complete, I glue it to the substrate and scan to enhance digitally. Some addition textures and minor colour adjustments were made, as seen in the final piece below.
'East' - Digital collage. Started analogue and finished digitally.
I've been feeling very inspired lately. I'm discovering more and more how the various projects I'm working on connect and feed one another. I've been shooting new images consistently and they're providing me with interesting source material for my collage work. I'm drawn to the abstract details that leave clues about time passed and the juxtapositions created when layers are peeled back.
Using various elements from my photography, I'm drawing inspiration from torn posters and the typography found on the street walls. I'm interested in recreating the layering, hiding and revealing what appears beneath. Equally, I'm intrigued by the role that typography plays when its no longer legible and becomes celebrated for its form rather than function. Aesthetically I'm drawn to the abstraction of the letters, textures, and how these ordinary, everyday elements come together to create an exciting composition.
8 x 8" mixed-media collage on canvas
Details - 8 x 8" mixed-media collage on canvas
8 x 8" mixed-media collage on canvas
On Friday 10th of June I was selected to take part in the one night only exhibition, 'TREND', presented by RAW Melbourne. RAW is an independent arts organisation for artists and focuses on spotlighting independent talent to the public.
Every second month they hand-select and showcase approximately 40 artists in film, fashion, music, visual art, photography, performing art, hair and makeup. Naturally, I was very excited to be approached to showcase with so many talented artists.
Another awesome thing about RAW is that once you've showcased in your hometown, you can then showcase at any RAW city, anywhere in the world in places like New York City, San Francisco, London... and beyond!
This was quite different to other group shows I've taken part in, as it wasn't you're usual white wall gallery exhibition. It was good experience deciding how to best display and hang the works. I created urban signage and designed some self-promotional postcards to accompany my display so that people could take away a little piece of my work, as seen below.
All works are available as limited edition prints, framed and unframed. Email lesley.bourne@gmail.com for more information on pricing.
I've been experimenting with some hand-made urban collages. Taking inspiration from Melbourne's vibrant streets, I've been exploring the possibilities of using my photographs as the source material for new mixed media works. By printing them out and cutting them up, I'm able to open up to a new, meditative way of working and the results have been very rewarding.
Here are some works in progress that explore layering, with a focus on type and texture like that of the torn street posters that surround us every day. There is so much visual interest and history to be found in the layers of the street walls.
I have enjoyed exploring decollage techniques with these works too. There's a fine balance between adding elements and taking them away. It also creates unexpected results when peeling back the images in this way, creating some playfulness to the work. The type is illegible and therefore becomes part of the design, rather to be read. I'm excited to explore this direction further and share more experiments with you soon...
I have been experimenting with some hand made diagonal collages. The idea with these is that you pair images that look like they belong together. Some are visually matched with their content, while others are paired in a more conceptual way. I really enjoyed the process of exploring the new meanings that are created when the images are recontextualised.
After starting my 'Urban Fragments' photo series, I've been finding inspiration from the streets. I'm particularly drawn to the torn street posters for their texture and typography. I like the idea of taking sections of type and joining them together in a new way. With more of a focus of composition than legibility, I enjoy moving the pieces around with my hands until I find a pleasing result. This one is a work in progress, using pieces of torn street posters. I will now scan this in to refine digitally, ready for prints.
Here's new a collage I've just completed. I enjoyed being playful with this one and allowed it to form it's own composition. Like most pieces, I choose one hero image and work from there. I approached this one a little differently in that I used more images and introduced some typography with a simpler background. I hope you enjoy!
