photography
We’re still in stage 4 lockdown here in Melbourne, with 5km restrictions still in place. I decided to capture some of the stark scenes in the CBD.
Finders Street Station
Bourke Street Mall
Swanston Street
Flinders Street Station
I’ve been looking back through the archives and it’s interesting to see ideas that don’t go on to be developed.
This is a photomontage I created in 2018. It’s inspired me to explore this technique further in combination with my urban photography.
So a little while between posts, but I’ve been very busy working on a new series these past few months. Many of you know my main interest lies in street photography and urban landscapes. Stylistically, I’ve taken a slightly more simplistic and graphic approach with these images.
Essentially, the goal of minimal photography is to be eye pleasing, with a very careful consideration of what should be part of the photo and what should be left out. Living in Melbourne has led me to become an urban photographer and some of the architecture is perfectly suited for this genre of photography. I’m also interested in exploring photomontage techniques as seen with the image below.
RMIT Building
When I go out hunting for minimal urban photos I tend to favour a simple sky, ideally blue and free from clouds. That guarantees a smooth background which is less distracting. Then I look for a single something I can isolate against that plain background, usually a section of a building, a sign or simple concrete shapes.
When my focus leans towards architecture, I search for buildings with repetitive elements, simple lines and interesting patterns. Through careful composition I aim to reduce the elements of the photograph to basic form and design.
Royal Melbourne Hospital
The minimalist images bring attention to symmetry, lines and patterns prevalent in the urban landscape. The images selected illustrate how exploring lines, structures and space rejects the banality of city scenes, reforming them into inspiring collages of geometric shapes. This an ongoing series I intend to continue exploring throughout the year. Stay tuned!
Last Friday I attended the Climate Strike in Melbourne. Organisers say roughly 100,000 people filled Treasury Gardens and Spring Street - dwarfing the crowd that attended a strike in March.
Almost 300,000 people marched in cities across Australia for the coordinated rallies - as part of the global movement - but Melbourne hosted the largest turn out.
The energy was incredible as droves of office workers, public servants, tradies, mothers and babies, and politicians joined the protest.
Here are a few of my favourite images from the day. Enjoy!
I'm drawn to the surface of the urban landscape and the overlooked beauty of elements that combine to produce a contemporary canvas. These fragments and details attract my eye and I feel the irresistible urge to record them. From drawings on cave walls to graffiti tags in alleyways, humans have marked their environment from the beginning.
Whether a political statement, an artistic expression, or the tag on an individual, the walls of our cities reflect the layered history of it’s people and a moment in time. Through human intervention and degradation, these layers become a collective collage of the citizens, forming a dialogue between city and people.
By use of the photographic lens, I aim to frame this communication, creating juxtapositions to draw comparisons and thereby create narratives based on social and political commentary. I’m equally intrigued by the abstraction on the walls of the city, both reducing it to impressions and revealing the accidental collisions of texture and intention which exist in cities at every scale.
I aim to celebrate the aesthetic of impermanence and imperfection and to reflect on a moment in time in a constantly changing landscape. I aim to challenge the viewer to look at their surrounds in new ways and highlight the beauty in the decay.
“I AM NOT INTERESTED IN SHOOTING THINGS NEW, I AM INTERESTED TO SEE THINGS NEW.”
I've just released some limited edition prints from my monochrome series, 'Urban Abstractions'. Here is one of them insitu thanks to the wallapp, which allows you to quicky see what your work looks like in a real space. Please email for me details.
Recently I was approached to work with an exciting artist on the rise to take some press shots for his upcoming album. CHANGELINGS is the creation of 24 year old musician Jay Penaflor, who began a small acoustic project as 'Jay Penaflor' and recorded a few EPs, before reforming under a new name - CHANGELINGS. It was great to connect with Jay and we're both really pleased with the results. Looking forward to collaborating again in the future. You can listen to his work here.
A little while between posts, but I've been busy working on variety of new projects. In contrast to my street photography where the focus is on people, I'm also drawn to the abstraction found on our urban walls. The marks, gestures, graffiti and urban decay combine to create a layered history of moments in time. I find this really intriguing as it helps to form a dialogue between city and people. I will be exploring this concept in more detail as I experiment with new work.
I've been out shooting a lot around Melbourne lately. I'm always inspired by the city surrounding me, the people and the urban landscape. As a designer, I also notice good typography and interesting signage. I love the old heritage buildings and ghost signs that are still fairly prevalent in Melbourne today. It's what makes this city so unique and interesting.
Here are a few shots I've taken of signs in various locations around Melbourne.
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I've recently started a new photographic project, 'Street Focus'. I'm documenting people in this series, whether a part of the urban landscape or caught in a candid moment. In our daily lives it's so easy to fixate on what divides us—ethnicity, age, gender and class; instead of what unites us. I'm fascinated with the way we gather and act collectively on the street, on the tram, at work and having fun, it's all superbly similar.
I continually seek evidence that we do absolutely mirror each other despite our vast differences. Every day I am captivated to document the people and the places that surround me on the palpable streets of Melbourne, an incredibly diverse and dynamic place to live.
This image is one from my ongoing 'Urban Fragments' series. Capturing the rich urban landscape of Melbourne's streets has become a consistent source of inspiration for my work. I'm drawn to the layers on the street walls, the accidental collage of torn street posters, the texture and the typography all provide so much visual interest that is so often overlooked. I love the contrast of the pink and yellow against the strong black and white type. I hope you enjoy it too...
This shot was captured on Flinders Street, during my daily commute home from work. The street crossing provides a good backdrop to capture the energy of Melbourne's CBD, combining interesting architecture with people in motion. Like this image, I shoot and edit a lot of my street images with my iPhone, because it's the camera that's always with me.
I've been trying to challenge myself with my photography lately and experiment with more with shooting film. I seem to be more thoughtful about my composition and lighting, and I can anticipate the 'moment' better which brings a true sense of achievement. Here are a few images I shot around my neighbourhood in Brunswick and Northcote.
I have been experimenting with some hand made diagonal collages. The idea with these is that you pair images that look like they belong together. Some are visually matched with their content, while others are paired in a more conceptual way. I really enjoyed the process of exploring the new meanings that are created when the images are recontextualised.
I've started a new photographic series documenting Melbourne's urban surrounds. The focus is on the visual fragments surrounding as all on a daily basis, but are often overlooked or ignored. These details attract my eye and I have an irresistible urge to record them.
Melbourne in particular, has a very rich urban landscape of street art, posters, signage and architecture. The torn poster for example, in itself is not all that interesting, but occasionally the elements come together in a way that I find pleasing. This series aims to zoom in on the details and celebrate the ordinary. Here are a few new images shot around Brunswick. Enjoy!
A few more images from an ongoing photographic series I've begun, 'Urban Fragments'. These images aim to abstractly document the ever changing landscape of Melbourne. Peeling back the layers and capturing the beauty in the ordinary that surround us all every day.
Welcome to my new blog! This is my first post and I am very excited to launch an exciting new project. For the past few years I have been fascinated with the urban landscape, and as a result focused much of my photographic work on this theme.
Since moving to Melbourne almost 2 years ago, my eye has become finely tuned on the plethora of stimulating texture, street art and architecture surrounding me. Working between collage and photography, the urban surrounds fuel my creativity within both mediums. The accidental collages of torn posters and the abstract formations of the power lines provide some very inspiring source materials to work with.
These often overlooked and neglected things are a constant inspiration to me and I feel an irresistible urge to record them. As a result, I have decided to begin an ongoing documentary of these abstract designs and fragments that reveal hidden layers, exposed once again to unlock new meanings.... Enjoy!
